The image is wounded before it is born.
This series begins with an act of deliberate interruption. Opening the camera during exposure allows light to invade the image outside the rules of photography. The error is not a defect but the work itself. The light leak becomes a metaphor for memory: every attempt to preserve reality is inevitably altered by time, loss, and interference. What remains is not a faithful record but the trace of an event; a photograph that carries the evidence of its own collapse.